زهرة المدائن

يا شعبى يا روحى يا حبيبى يا حاطك فى جيبى يا ابن الحلال

يا شعبى يا شاطر يا جابر خواطر يا ساكن مقابر وصابر وعال

يا واكل سمومك يا بايع هدومك يا حامل همومك وشايل جبال

يا شعبى اللى نايم وسارح وهايم وفى الفقر عايم وحالة دا حال

احبك محشش مفرفش مطنش ودايخ مدروخ واخر انسطال

احبك مكبر دماغك مخدر ممشى امورك كدة باتكال

واحب اللى ينصب واحب اللى يكدب واحب اللى ينهب ويسرق تلال

واحب الللى شايف وعارف وخايف وبالع لسانة وكاتم ما قال

واحب اللى قافل عيونة المغفل واحب البهايم

المزيد

André-Aimé-René Masson (January 4, 1896 – October 28, 1987) was born in Balagny-sur- Thérain in France, but was brought up in Belgium. He studied art in Brussels and Paris. He fought for France in World War I and was seriously injured.

Masson’s early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. From around 1926 he experimented by throwing sand and glue onto canvas and making oil paintings based around the shapes that formed. By the end of the 1920s, however, he was finding automatism rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Span

المزيد

المزيد

اللي بدو يكتب عن فلسطين ، واللي بدو يرسم لفلسطين بدو يعرف حاله ميت ، أنا مش ممكن أتخلى عن مبادئي ول

المزيد

المزيد